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The real crime related to the series, however, is that it isn't better known outside of France. While the solution to the series' mystery is definitely Earthly, a more supernatural angle is definitely hinted at, for the first time tying Belphegor, the phantom with Belphegor, the demon. After several dormant decades, the phantom struck again, this time on the small screens in the 1965 miniseries directed by Claude Barma.
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But the idea of a dark and mysterious villain haunting the halls of the world's most famous museum was too memorable and striking to forget and he reemerged, this time on screen in Henri Desfontaines' silent film adaptation of the novel.
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In it, though, the titular apparition turned out to be nothing more than a creative and imaginative criminal stealing artifacts from the Louvre. For the purposes of this review, I shall focus on the same named phantom of the Louvre, a tall, mysterious, maleficent figure dressed in black garbs and sporting a distinctively creepy mask created by Arthur Bernede for his 1927 crime novel also titled "Belphegor". There are at least two bands named after him, a truck, a plane and even a manga character. But his distinctive and catchy name has given him a different sort of fame. Character's Point Of View Camera Shot (4)Ĭharacter Repeats Someone Else's Dialogue (4)Ġ1-05-2017 Belphegor is the chief demon of sloth and one of the seven princes of Hell.